Saša Spačal in Matic Potočnik | Liminoid
Saša Spačal and Matic Potočnik: Liminoid
Augmented and virtual experience of disintegrating subjectivity | new media installation
December 5 – 8 2018
SCHEDULE: The installation can be experienced individually, free time slots are available here: https://goo.gl/XrHvjD.
To reserve a time slot please write to delavnica@ljudmila.org.
Liminoid is a portal which triggers a transition between virtual and augmented realities, thus leading to the experience of disintegrating subjectivity. In the context of anthropology, the term liminoid state describes the experience of the liminal stage of a transient selfhood that occurs during rites of passage. Much like liminality in tribal cultures, the liminoid experience, which signifies contemporary society, is achieved through a three-phase passage of separation from the old self, a transitional phase that is characterized by ambiguity and disorientation, and finally a phase of incorporation and the formation of new perspectives. This three-fold experience in Liminoid is reflected in the dramaturgy of the visual experience in the virtual / augmented reality headset, although the artists do not simply translate mental processes by visual means. Liminoid is thus not merely a simulation of the liminoid stage, but instead offers a number of augmented and virtual twists on it, thus making possible the realization of post-structural concepts such as the disintegration of subjectivity, the becoming, the virtual, the immersion and identification. The experience offers an intense and even rather unpleasant sensation of uncertainty, anxiety and existential fear. Liminoid thus represents potentiality, and the participant is in for a surprise.
https://wiki.ljudmila.org/Liminoid
Produced by Ljudmila, Art and Science Laboratory. Project production (2014) and upgrade (2018) was supported by Ljubljana City Municipality (MOL) – Department of Culture. The project is part of EASTN-DC Network, which is co-funded by the Creative Europe programme of the European Union.
Saša Spačal
Saša Spačal MA [she/her], a postmedia artist, merges living systems research with contemporary art, emphasising the interconnectedness of the environment-culture continuum within planetary metabolisms. Her artistic endeavours include developing caring biotechnological methodologies and interfaces that engage with both organic and mineral soil agents. In parallel, she explores the fragility of posthuman scenarios, intricately weaving mechanical, digital, and organic logics within the realms of contemporary biopolitics and necropolitics.
Her works were presented at venues such as ZKM | Center for Art and Media Karlsruhe [DE], Ars Electronica [AT], Centre de Cultura Contemporània Barcelona – CCCB [ES], Laboratoria Art & Science Foundation / New Tretyakov Gallery [RUS], National Art Museum of China [CHN], Museum of Contemporary Art Metelkova [SI], Onassis Cultural Centre Athens [GR], Transmediale Festival [DE], GHMP Prague City Gallery [CZ], Museum and Galleries of Ljubljana [SI], Museo Extremeño e Iberoamericano de Arte Contemporáneo [ES], Perm Museum of Contemporary Art [RUS], Chronos Art Centre [CHN], Museum of Contemporary Art Zagreb [CRO], Museum of Contemporary Art Vojvodina [SRB]. She received awards and nominations Ars Electronica Starts Prize [2021], Japan Media Art Award [2020], New Technological Art Award [2019], New Aesthetica Prize [2020], Prix Cube [2015] and Prix Ars Electronica [2015].
Matic Potočnik
Matic Potočnik is a computer scientist working in software development and analysis who has collaborated with various artists, from Saša Spačal to Matej Stupica and Jaka Berger, Tilen Sepič and Dominik Mahnič.