FriForma: Robetina Šebjanič - Aquatocene
SonoLiminal, sublabel of Inexhaustible Editions, focuses on space where the acoustic atmosphere is still able to be present beyond the anthropocene planetary presence. SonoLiminal develops the idea of publishing sound works of various media and creating special artefacts and limited edition prints.
ROBERTINA ŠEBJANIČ (1975) is based in Ljubljana. Her art and research focus is since several years into cultural, (bio)political, ecological realities of aquatic environments, which serves as a starting point to investigate and tackle the philosophical questions on the intersection of art, technology and science. Her ideas and concepts are often realized in collaboration with others, through interdisciplinary and informal integration in her work. She was awarded with Honorary Mention @Prix Ars Electronica 2016, STARTS2020 and STARTS2016 nomination. Robertina was SHAPE platform 2017 artist. 2018 she was a resident artist at Ars Electronica (EMARE / EMAP). Her art work Aurelia 1+Hz / proto viva generator is since 2019 part of the the BEEP Electronic Art Collection, Spain. She exhibited / performed at solo and group exhibitions as well as in galleries and festivals: Ars electronica Linz, Kosmica festival_ Laboratorio Arte Alameda_Mexico City, La Gaîté Lyrique_ Paris, Le Cube_Paris, MONOM_ CTM Berlin, Art Laboratory Berlin, ZKM_Karlsruhe, re:publica_Berlin, Mladi Levi_Ljubljana, Centro de Cultura Digita_ Mexico City, Piksel_Bergen, OSMO/ZA_Ljubljana, Device art 5.015 at Klovičevi dvori_Zagreb, Eastern Bloc_Montreal, Eyebeam_New York, PORTIZMIR#3_ Izmir, Kiblix festival_Maribor, Spektrum_Berlin, KIKK festival_ Namur, +MSUM (Museum of Contemporary Art Metelkova)_Ljubljana and more…. / http://robertina.net
Robertina Šebjanič is an artist/researcher whose work explores the biological, (geo)political, and cultural realities of aquatic environments and the impact of humanity on other organisms. In her analysis of the Anthropocene and its theoretical framework, the artist uses the terms "aquatocene" and "aquaforming" to refer to the human impact on aquatic environments. Her work received several awards and nominations at Prix Ars Electronica, Starts Prize, Falling Walls, Re:Humanism a.o.